OFELIA
The theatrical narration of the facts in Ofelia is not realistic, but their presence is in our bodys dramatic language. Rebecca Martin and Elena Bylund use their body as the raw material in an open artistic expresion, facing an unknown dimension of themselves. They embody and unfold the character of Ofelia within themselves, which is fueled primarily by a state of beeing and presence. Simultaneously as this theatrical dimension Roberto Silva dedicates himself to collect the emotional substance of the human movement, and stillness. He lives as an eyewitness to capture these ephemeral images, the traces left by the ghost of Ofelia. He is Hamlets best frien and the only one to survive the tragedy, Horacio.
This is a work in pogress. The final presentation on stage as well as the exhibition Ofelia is the product of hard physical work and meditation. Rebeca Martìn and Elena Bylund`s final expression is a combination between experimental theatre and dance techniques with Roberto Silva present at every rehearsal and presentation, gathering the emotional substance of their movements. The painters result was always a cluster of pastel drawings wich he ends in an exhibition of oil paintings .
"Ophelia illuminates and enlightens our natural madness."
Drawings:
Oil paintings:
"PERSECUCIÓN CANÍBAL"
"STIGMA"
"EVERYTHING IS VIOLENT, EVERYTHING IS BRIGHT"
"OFELIA INTERRUMPIDA"
"EL BESO"
"LOCURA EN FLOR"
"OFELIA"
"CANTO A LA MUERTE"
"ANTES DEL FRIO"
"ESTRELLA FUGAZ EN EL CIELO DE LA TRAGEDIA"
"BRISA"
"BUTOH"
Direction: Rebeca Martín and Elena Bylund
Actors: Rebeca Martín and Elena Bylund
Painter: Roberto Silva
Photography: Frederique Bangerter/ Enrique Perescancio